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People have forgotten how to tell good stories. Or maybe just forgotten what makes up a good story. Comics have forgotten what makes good stories. They’ve decided that actual adventure stories with actual superheroes are boring and passe (or maybe they just don’t understand heroism). In the place of awe-inspiring more-than-merely-mortal bad guys and good […]

This past weekend, the Geek Gab podcast hosted Benjamin Cheah, known to Castalia House readers as Kai Wai Cheah, to talk about the short fiction revolution heating up on Steemit, a new blogging platform that offers considerable advantages to writers. In this podcast and in his thoughts afterward, Cheah describes these advantages: Steemit offers three […]

It’s January 22, which makes this HAPPY BIRTHDAY ROBERT E. HOWARD DAY! Happy Eleventy Second birthday, Mr. Pulp Grandmaster. Howard was, it must be said, one of the greatest and most influential F&SF writers of all time, right up there with Edgar Rice Burroughs and A. Merritt. He wrote dozens of poems and hundreds of […]

Imagine if you will, a boy that kept a box of his most favorite things under his bed. It could include all kinds of things: a huge rhinoceros beetle and a perfect lunar moth, wheat pennies and buffalo nickles, a Skylab commemorative stamp, a few worn out copies of some really old issues of Justice […]

I’m known for my florid, almost purple prose and lengthy, albeit humorous introductions. No time for that today. I’m leaving for the vasty wilderness and a weekend-long Internet blackout, and I have to get this one in the can before I depart for the great unknown. So, please pardon the upcoming abrupt transition. Comics are […]

I recently pointed out how the moral element of pulp-style stories absolutely saturates them, driving not just the structure of their plots, but also defining the likability of the characters on a scene-by-scene basis. I would even go so far as to say that this is what makes old school pulpy thrills even possible. In […]

Mass Effect: Andromeda is a failure. A massive failure. A failure so large, the company shuttered the “Mass Effect” series entirely and even shut down the studio that made it. You see… It only sold three million copies. Three. Million. Copies. Of a game that costs $60 apiece, and requires a $400+ piece of equipment […]

The pulp ethos is a real thing. Some people think I just made it up or something. Or they think I’m being evasive when I refuse to define “pulp” as a distinct genre in its own right. Of course, not everyone wants to spend a solid year surveying a bunch of works that nobody is […]

Dean McSmith has a surprisingly thoughtful review of Appendix N. Here’s just a highlight from it: There is a theme running through the entire book and it’s a powerful one. It’s loss, principally the loss of a number of great writers from the view of the public. Their memory holing is noted and lamented and […]

Daddy Warpig is off the chain again. And I have to say, I can’t remember the whole idea of Pulp Revolution ever sounding quite this thrilling, this inspiring, or this inevitable. You’ll want to take your hat off for this one! But wait, there’s more! You’ll find out why the new movie 47 Meters Down […]

You say you want a pulp revolution. Well, you know, we all want to read the stuff. If you really want to have an idea of a pulp aesthetic, you need to get a few actual pulp magazines and read them. One of the best ways to get pulp magazines and meet other people with […]

Seems like everyone wants to know what exactly this Pulp Revolution thing exactly is, and how exactly and precisely do we define it, and what stories are or are not included in the specific canon of this very specific bomb throwing literary book club movement thing. In the interests of clarifying nothing, and agitating everyone, […]